{"id":37082,"date":"2026-09-02T18:16:42","date_gmt":"2026-09-02T10:16:42","guid":{"rendered":"https:\/\/www.luminart.cc\/?page_id=37082"},"modified":"2026-09-03T21:27:37","modified_gmt":"2026-09-03T13:27:37","slug":"%e8%8e%b1%e6%98%82%c2%b7%e5%8d%9a%e7%ba%b3%e5%bd%92%e6%a1%a3%e9%a1%b5","status":"publish","type":"page","link":"https:\/\/www.luminart.cc\/?page_id=37082","title":{"rendered":"\u83b1\u6602\u00b7\u535a\u7eb3\u5f52\u6863\u9875"},"content":{"rendered":"\t\t
\n\t\t\t\t
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\n \"\u83b1\u6602\u00b7\u535a\u7eb3\n <\/figure>\n
\n

\u83b1\u6602\u00b7\u535a\u7eb3 L\u00e9on Bonnat<\/h1>\n
\n \u6cd5\u56fd \u00b7 \u5b66\u9662\u6d3e \u00b7 1833\u20131922<\/span> 57<\/strong> \u4ef6\u4f5c\u54c1<\/span>\n <\/div>\n

\u83b1\u6602\u00b7\u535a\u7eb3\u662f\u5341\u4e5d\u4e16\u7eaa\u6cd5\u56fd\u753b\u5bb6\u3001\u6559\u5e08\u4e0e\u6cd5\u56fd\u7f8e\u672f\u5b66\u9662\u9662\u957f\uff0c\u4ee5\u8096\u50cf\u3001\u5386\u53f2\u548c\u5b97\u6559\u9898\u6750\u95fb\u540d\u3002\u4ed6\u66fe\u5728\u5df4\u9ece\u7f8e\u672f\u5b66\u9662\u4efb\u6559\uff0c\u57f9\u517b\u4e86\u4f17\u591a\u540e\u8f88\uff1b\u5176\u4f5c\u54c1\u4ee5\u4e25\u8c28\u5199\u5b9e\u7684\u5f62\u4f53\u3001\u6df1\u539a\u8272\u8c03\u4e0e\u5bf9\u4eba\u7269\u5fc3\u7406\u548c\u6750\u8d28\u7684\u7ec6\u81f4\u89c2\u5bdf\u89c1\u957f\u3002<\/p> <\/div>\n <\/div>\n <\/header>\n\n \n \n

\n
\n \n
\n \"\u963f\u65af\u56fe\u91cc\u4e9a\u65af\u7684\u5f17\u9c81\u57c3\u62c9\u4e8c\u4e16\uff08\u963f\u65af\u56fe\u91cc\u4e9a\u65af\u56fd\u738b\uff0c910\n <\/figure>\n
\n

\u300a\u963f\u65af\u56fe\u91cc\u4e9a\u65af\u7684\u5f17\u9c81\u57c3\u62c9\u4e8c\u4e16\uff08\u963f\u65af\u56fe\u91cc\u4e9a\u65af\u56fd\u738b\uff0c910 \u5e74\u81f3 925 \u5e74\uff09\u300b<\/h2>\n

Fruela II of Asturias (king of Asturias from 910 to 925)<\/p>

\n 1858<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u610f\u5927\u5229\u5973\u4eba\"\n <\/figure>\n
\n

\u300a\u610f\u5927\u5229\u5973\u4eba\u300b<\/h2>\n

Italian Woman<\/p>

\n 1860\u5e74\u4ee3<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u827a\u672f\u5bb6\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u827a\u672f\u5bb6\u8096\u50cf\u300b<\/h2>\n

Portrait of the artist<\/p>

\n 1860<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5728\u79d1\u5c14\u591a\u74e6\u5723\u585e\u5df4\u65af\u8482\u5b89\u533b\u9662\u6559\u5802\u5165\u53e3\u5904\u65bd\u820d\u7684\u5e74\u8f7b\u5973\u5b50\"\n <\/figure>\n
\n

\u300a\u5728\u79d1\u5c14\u591a\u74e6\u5723\u585e\u5df4\u65af\u8482\u5b89\u533b\u9662\u6559\u5802\u5165\u53e3\u5904\u65bd\u820d\u7684\u5e74\u8f7b\u5973\u5b50\u300b<\/h2>\n

Young woman giving charity at the entrance to the chapel of the San Sebastian Hospital in Cordoba<\/p>

\n 1863<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u753b\u5bb6\u585e\u8d39\u91cc\u8bfa\u00b7\u963f\u52b3\u970d\u00b7\u6851\u5207\u65af\"\n <\/figure>\n
\n

\u300a\u753b\u5bb6\u585e\u8d39\u91cc\u8bfa\u00b7\u963f\u52b3\u970d\u00b7\u6851\u5207\u65af\u300b<\/h2>\n

The painter Ceferino Araujo S\u00e1nchez<\/p>

\n 1864<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5723\u6587\u68ee\u7279\u5fb7\u4fdd\u7f57\u6551\u8d4e\u53a8\u623f\u5974\u96b6\"\n <\/figure>\n
\n

\u300a\u5723\u6587\u68ee\u7279\u5fb7\u4fdd\u7f57\u6551\u8d4e\u53a8\u623f\u5974\u96b6\u300b<\/h2>\n

Saint Vincent de Paul redeems the galley slaves<\/p>

\n 1865<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e00\u4e2a\u5973\u4eba\u7684\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u4e00\u4e2a\u5973\u4eba\u7684\u8096\u50cf\u300b<\/h2>\n

Portrait of a woman<\/p>

\n 1868<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5723\u9a6c\u4e01\u5fb7\u585e\u5c3c\u6602\u5e02\u957f\u3001\u5546\u4eba\n <\/figure>\n
\n

\u300a\u5723\u9a6c\u4e01\u5fb7\u585e\u5c3c\u6602\u5e02\u957f\u3001\u5546\u4eba Jean L\u00e9glise \u7684\u8096\u50cf\u300b<\/h2>\n

Portrait of Jean L\u00e9glise, Merchant, Mayor of Saint-Martin-de-Seignanx<\/p>

\n 1868<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u610f\u5927\u5229\u4eba\"\n <\/figure>\n
\n

\u300a\u610f\u5927\u5229\u4eba\u300b<\/h2>\n

The Italian<\/p>

\n 1869<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u57c3\u53ca\u519c\u5987\u548c\u5979\u7684\u5b69\u5b50\"\n <\/figure>\n
\n

\u300a\u57c3\u53ca\u519c\u5987\u548c\u5979\u7684\u5b69\u5b50\u300b<\/h2>\n

An Egyptian Peasant Woman and Her Child<\/p>

\n 1869-1870<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u57c3\u53ca\u519c\u5987\u548c\u5979\u7684\u5b69\u5b50\"\n <\/figure>\n
\n

\u300a\u57c3\u53ca\u519c\u5987\u548c\u5979\u7684\u5b69\u5b50\u300b<\/h2>\n

An Egyptian Peasant Woman and Her Child<\/p>

\n 1869-1870<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u53d7\u5bb3\u4eba\"\n <\/figure>\n
\n

\u300a\u53d7\u5bb3\u4eba\u300b<\/h2>\n

The victim<\/p>

\n 1870<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u6811\u4e0b\u6c42\u7231\u7684\u60c5\u4fa3\"\n <\/figure>\n
\n

\u300a\u6811\u4e0b\u6c42\u7231\u7684\u60c5\u4fa3\u300b<\/h2>\n

Couple Courting by a Tree<\/p>

\n 1871<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u522b\u54ed\"\n <\/figure>\n
\n

\u300a\u522b\u54ed\u300b<\/h2>\n

Don't cry<\/p>

\n \u7ea6 1872-1879<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5f3a\u76d7\u7684\u59bb\u5b50\"\n <\/figure>\n
\n

\u300a\u5f3a\u76d7\u7684\u59bb\u5b50\u300b<\/h2>\n

The Bandit\u2019s Wife<\/p>

\n 1872<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5c71\u4e2d\u7684\u963f\u62c9\u4f2f\u914b\u957f\"\n <\/figure>\n
\n

\u300a\u5c71\u4e2d\u7684\u963f\u62c9\u4f2f\u914b\u957f\u300b<\/h2>\n

Arabian Sheikhs in the Mountains<\/p>

\n 1872<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e00\u5bb6\u4e1c\u65b9\u7406\u53d1\u5e97\"\n <\/figure>\n
\n

\u300a\u4e00\u5bb6\u4e1c\u65b9\u7406\u53d1\u5e97\u300b<\/h2>\n

An oriental barbershop<\/p>

\n 1872<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u57fa\u7763\u5728\u5341\u5b57\u67b6\u4e0a\"\n <\/figure>\n
\n

\u300a\u57fa\u7763\u5728\u5341\u5b57\u67b6\u4e0a\u300b<\/h2>\n

Christ on the cross<\/p>

\n 1874<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5e15\u65af\u5361\u592b\u4eba\"\n <\/figure>\n
\n

\u300a\u5e15\u65af\u5361\u592b\u4eba\u300b<\/h2>\n

Madame Pasca<\/p>

\n 1874<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u55b7\u6cc9\u8fb9\u7684\u7f57\u9a6c\u5973\u5b69\"\n <\/figure>\n
\n

\u300a\u55b7\u6cc9\u8fb9\u7684\u7f57\u9a6c\u5973\u5b69\u300b<\/h2>\n

Roman Girl at a Fountain<\/p>

\n 1875<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"La\n <\/figure>\n
\n

\u300aLa Lutte de Jacob\uff08\u96c5\u5404\u5e03\u4e0e\u5929\u4f7f\u6454\u8de4\uff09\u300b<\/h2>\n

La Lutte de Jacob (Jacob Wrestling with the Angel)<\/p>

\n 1876<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"M\u00b7\u7ef4\u514b\u591a\u00b7\u96e8\u679c\u7684\u8096\u50cf\"\n <\/figure>\n
\n

\u300aM\u00b7\u7ef4\u514b\u591a\u00b7\u96e8\u679c\u7684\u8096\u50cf\u300b<\/h2>\n

Portrait of M. Victor Hugo<\/p>

\n 1879<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e54\u6cbb\u00b7\u57c3\u52d2\u592b\u4eba\u7684\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u4e54\u6cbb\u00b7\u57c3\u52d2\u592b\u4eba\u7684\u8096\u50cf\u300b<\/h2>\n

Portrait of Madame Georges Erhler<\/p>

\n 1880<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u83b1\u6602\u00b7\u79d1\u5c3c\u7279\"\n <\/figure>\n
\n

\u300a\u83b1\u6602\u00b7\u79d1\u5c3c\u7279\u300b<\/h2>\n

Leon Cogniet<\/p>

\n 1881<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5a01\u5ec9\u00b7T\u00b7\u6c83\u5c14\u7279\u65af\u7684\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u5a01\u5ec9\u00b7T\u00b7\u6c83\u5c14\u7279\u65af\u7684\u8096\u50cf\u300b<\/h2>\n

Portrait of William T. Walters<\/p>

\n 1883<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u7ef4\u514b\u591a\u00b7\u96e8\u679c\u4e34\u7ec8\u524d\"\n <\/figure>\n
\n

\u300a\u7ef4\u514b\u591a\u00b7\u96e8\u679c\u4e34\u7ec8\u524d\u300b<\/h2>\n

Victor Hugo on his deathbed<\/p>

\n 1885<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u827a\u672f\u5bb6\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u827a\u672f\u5bb6\u8096\u50cf\u300b<\/h2>\n

Portrait of the Artist<\/p>

\n 1885<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5723\u4f46\u5c3c\u7684\u6b89\u96be\"\n <\/figure>\n
\n

\u300a\u5723\u4f46\u5c3c\u7684\u6b89\u96be\u300b<\/h2>\n

The Martyrdom of Saint Denis<\/p>

\n 1885<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5df4\u8036\u8096\u50cf\u4e0e\u201c\u5750\u72ee\u201d\u8721\u50cf\"\n <\/figure>\n
\n

\u300a\u5df4\u8036\u8096\u50cf\u4e0e\u201c\u5750\u72ee\u201d\u8721\u50cf\u300b<\/h2>\n

Portrait of Barye with a Wax Model of \u2018Seated Lion\u2019<\/p>

\n 1885<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u83f2\u5fb7\u65af\u00b7\u5fb7\u5f17\u91cc\u65af\"\n <\/figure>\n
\n

\u300a\u83f2\u5fb7\u65af\u00b7\u5fb7\u5f17\u91cc\u65af\u300b<\/h2>\n

Fid\u00e8s Devri\u00e8s<\/p>

\n 1887<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n <\/div>\n\n