{"id":34429,"date":"2026-08-24T16:42:46","date_gmt":"2026-08-24T08:42:46","guid":{"rendered":"https:\/\/www.luminart.cc\/?page_id=34429"},"modified":"2026-08-27T21:21:38","modified_gmt":"2026-08-27T13:21:38","slug":"%e5%b8%95%e6%96%af%e5%8d%a1%e5%b0%94-%e9%98%bf%e9%81%93%e5%a4%ab-%e8%ae%a9%c2%b7%e8%be%be%e5%b0%bc%e6%98%82-%e5%b8%83%e5%bc%97%e8%8e%b1%e5%bd%92%e6%a1%a3%e9%a1%b5","status":"publish","type":"page","link":"https:\/\/www.luminart.cc\/?page_id=34429","title":{"rendered":"\u5e15\u65af\u5361\u5c14-\u963f\u9053\u592b-\u8ba9\u00b7\u8fbe\u5c3c\u6602-\u5e03\u5f17\u83b1\u5f52\u6863\u9875"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n
\n
\n
\n \"\u5e15\u65af\u5361\u5c14-\u963f\u9053\u592b-\u8ba9\u00b7\u8fbe\u5c3c\u6602-\u5e03\u5f17\u83b1\u8096\u50cf\"\n <\/figure>\n
\n

\u5e15\u65af\u5361\u5c14-\u963f\u9053\u592b-\u8ba9\u00b7\u8fbe\u5c3c\u6602-\u5e03\u5f17\u83b1<\/h1>\n
\n Pascal-Adolphe-Jean Dagnan-Bouveret<\/span> \u6cd5\u56fd\uff0c1852-1929<\/span> 44<\/strong> \u4ef6\u4f5c\u54c1<\/span>\n <\/div>\n

\u8fbe\u5c3c\u6602-\u5e03\u5f17\u83b1\u662f\u6cd5\u56fd\u81ea\u7136\u4e3b\u4e49\u753b\u5bb6\uff0c\u64c5\u957f\u8096\u50cf\u3001\u4e61\u6751\u751f\u6d3b\u4e0e\u5b97\u6559\u9898\u6750\u3002\u4ed6\u628a\u5b66\u9662\u6d3e\u7d20\u63cf\u8bad\u7ec3\u3001\u73b0\u573a\u5199\u751f\u548c\u6444\u5f71\u8f85\u52a9\u7ed3\u5408\u8d77\u6765\uff0c\u4ee5\u4e25\u8c28\u6784\u56fe\u8bb0\u5f55\u5e03\u5217\u5854\u5c3c\u4eea\u5f0f\u4e0e19\u4e16\u7eaa\u6cd5\u56fd\u793e\u4f1a\u751f\u6d3b\u3002<\/p> <\/div>\n <\/div>\n <\/header>\n\n \n \n

\n
\n \n
\n \"\u7537\u6027\u88f8\u4f53\u4e60\u4f5c\"\n <\/figure>\n
\n

\u300a\u7537\u6027\u88f8\u4f53\u4e60\u4f5c\u300b<\/h2>\n

Nude Study of a Man<\/p>

\n 1875<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5728\u5c4b\u95e8\u524d\u8fdb\u9910\u7684\u8428\u74e6\u5c0f\u7537\u5b69\"\n <\/figure>\n
\n

\u300a\u5728\u5c4b\u95e8\u524d\u8fdb\u9910\u7684\u8428\u74e6\u5c0f\u7537\u5b69\u300b<\/h2>\n

The petit savoyard eating in front of an entrance to a house<\/p>

\n 1877<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u7537\u6027\u4eba\u4f53\u4e60\u4f5c\"\n <\/figure>\n
\n

\u300a\u7537\u6027\u4eba\u4f53\u4e60\u4f5c\u300b<\/h2>\n

Male Nude Study<\/p>

\n 1877<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5723\u8d6b\u5e03\u5170\"\n <\/figure>\n
\n

\u300a\u5723\u8d6b\u5e03\u5170\u300b<\/h2>\n

Saint Herbland<\/p>

\n 1877<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e8b\u6545\"\n <\/figure>\n
\n

\u300a\u4e8b\u6545\u300b<\/h2>\n

An Accident<\/p>

\n 1879<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u6444\u5f71\u5e08\u5de5\u4f5c\u5ba4\u91cc\u7684\u5a5a\u793c\"\n <\/figure>\n
\n

\u300a\u6444\u5f71\u5e08\u5de5\u4f5c\u5ba4\u91cc\u7684\u5a5a\u793c\u300b<\/h2>\n

Wedding in the Photographer\u2019s Studio<\/p>

\n 1879<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5a5a\u793c\u524d\u4e3a\u65b0\u4eba\u795d\u798f\"\n <\/figure>\n
\n

\u300a\u5a5a\u793c\u524d\u4e3a\u65b0\u4eba\u795d\u798f\u300b<\/h2>\n

Blessing of the Young Couple Before Marriage<\/p>

\n 1880-1881<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u95f9\u522b\u626d\uff1a\u753b\u5ba4\u4e2d\u7684\u53e4\u65af\u5854\u592b\u00b7\u5e93\u5c14\u56fe\u74e6\"\n <\/figure>\n
\n

\u300a\u95f9\u522b\u626d\uff1a\u753b\u5ba4\u4e2d\u7684\u53e4\u65af\u5854\u592b\u00b7\u5e93\u5c14\u56fe\u74e6\u300b<\/h2>\n

Bouderie (Gustave Courtois In His Studio)<\/p>

\n 1880<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u7c89\u8863\u5e74\u8f7b\u5973\u5b50\u4e0e\u5b69\u5b50\"\n <\/figure>\n
\n

\u300a\u7c89\u8863\u5e74\u8f7b\u5973\u5b50\u4e0e\u5b69\u5b50\u300b<\/h2>\n

Jeune Femme En Rose Avec Son Enfant<\/p>

\n 1882<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u9a6c\u53a9\"\n <\/figure>\n
\n

\u300a\u9a6c\u53a9\u300b<\/h2>\n

A stable<\/p>

\n 1883<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u53e4\u65af\u5854\u592b\u00b7\u5e93\u5c14\u56fe\u74e6\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u53e4\u65af\u5854\u592b\u00b7\u5e93\u5c14\u56fe\u74e6\u8096\u50cf\u300b<\/h2>\n

Portrait of Gustave Courtois<\/p>

\n 1883<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e8c\u91cd\u594f\"\n <\/figure>\n
\n

\u300a\u4e8c\u91cd\u594f\u300b<\/h2>\n

The duet<\/p>

\n 1883<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u53e4\u65af\u5854\u592b\u00b7\u5e93\u5c14\u56fe\u74e6\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u53e4\u65af\u5854\u592b\u00b7\u5e93\u5c14\u56fe\u74e6\u8096\u50cf\u300b<\/h2>\n

Portrait of Gustave Courtois<\/p>

\n 1884<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u97f3\u4e50\u5bb6\"\n <\/figure>\n
\n

\u300a\u97f3\u4e50\u5bb6\u300b<\/h2>\n

The Musician<\/p>

\n 1884<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u54c8\u59c6\u96f7\u7279\u4e0e\u6398\u5893\u4eba\"\n <\/figure>\n
\n

\u300a\u54c8\u59c6\u96f7\u7279\u4e0e\u6398\u5893\u4eba\u300b<\/h2>\n

Hamlet Et Les Fossoyeurs<\/p>

\n 1884<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u73ab\u7470\u5723\u6bcd\"\n <\/figure>\n
\n

\u300a\u73ab\u7470\u5723\u6bcd\u300b<\/h2>\n

Madonna of the Rose<\/p>

\n 1885<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5e03\u5217\u5854\u5c3c\u7684\u8d66\u7f6a\u4eea\u5f0f\"\n <\/figure>\n
\n

\u300a\u5e03\u5217\u5854\u5c3c\u7684\u8d66\u7f6a\u4eea\u5f0f\u300b<\/h2>\n

The Pardon in Brittany<\/p>

\n 1886<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5e03\u5217\u5854\u5c3c\u5973\u5b50\"\n <\/figure>\n
\n

\u300a\u5e03\u5217\u5854\u5c3c\u5973\u5b50\u300b<\/h2>\n

Woman from Brittany<\/p>

\n 1886<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u8ba9\u6211\u4eec\u6c38\u8fdc\u76f8\u7231\"\n <\/figure>\n
\n

\u300a\u8ba9\u6211\u4eec\u6c38\u8fdc\u76f8\u7231\u300b<\/h2>\n

Aimons toujours, aimons encore<\/p>

\n 1886<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u8d66\u7f6a\u4eea\u5f0f\u4e0a\u7684\u5e03\u5217\u5854\u5c3c\u5987\u5973\"\n <\/figure>\n
\n

\u300a\u8d66\u7f6a\u4eea\u5f0f\u4e0a\u7684\u5e03\u5217\u5854\u5c3c\u5987\u5973\u300b<\/h2>\n

Breton Women at a Pardon<\/p>

\n 1887<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u6731\u5c14-\u4e9a\u5386\u514b\u897f\u00b7\u7a46\u5c3c\u8036\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u6731\u5c14-\u4e9a\u5386\u514b\u897f\u00b7\u7a46\u5c3c\u8036\u8096\u50cf\u300b<\/h2>\n

Portrait of Jules-Alexis Muenier<\/p>

\n 1887<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u300a\u8d66\u7f6a\u4eea\u5f0f\u4e0a\u7684\u5e03\u5217\u5854\u5c3c\u5987\u5973\u300b\u4e60\u4f5c\"\n <\/figure>\n
\n

\u300a\u8d66\u7f6a\u4eea\u5f0f\u4e0a\u7684\u5e03\u5217\u5854\u5c3c\u5987\u5973\u300b\u4e60\u4f5c<\/h2>\n

Study for Breton Women at a Pardon<\/p>

\n \u7ea6 1887<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u8461\u8404\u85e4\u67b6\u4e0b\u7684\u5723\u6bcd\"\n <\/figure>\n
\n

\u300a\u8461\u8404\u85e4\u67b6\u4e0b\u7684\u5723\u6bcd\u300b<\/h2>\n

Madone \u00c0 La Treille<\/p>

\n 1888<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5e74\u8f7b\u5973\u5b50\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u5e74\u8f7b\u5973\u5b50\u8096\u50cf\u300b<\/h2>\n

Portrait of young woman<\/p>

\n 1889<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u7ed8\u753b\u7684\u5bd3\u8a00\"\n <\/figure>\n
\n

\u300a\u7ed8\u753b\u7684\u5bd3\u8a00\u300b<\/h2>\n

La Peinture<\/p>

\n 1890<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u6a58\u56ed\u4e2d\u7684\u5e74\u8f7b\u5973\u5b50\"\n <\/figure>\n
\n

\u300a\u6a58\u56ed\u4e2d\u7684\u5e74\u8f7b\u5973\u5b50\u300b<\/h2>\n

Young Woman in a Garden of Oranges<\/p>

\n 1891<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5973\u5b50\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u5973\u5b50\u8096\u50cf\u300b<\/h2>\n

Portrait de femme<\/p>

\n 1895-1905<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u6cd5\u59ae\u00b7\u6cf0\u857e\u5179\u00b7\u96f7\u7eb3\u8d6b\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u6cd5\u59ae\u00b7\u6cf0\u857e\u5179\u00b7\u96f7\u7eb3\u8d6b\u8096\u50cf\u300b<\/h2>\n

Portrait de Fanny Th\u00e9r\u00e8se Reinach<\/p>

\n 1896<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e8c\u5341\u5c81\u7684\u7ea6\u963f\u5185\u65af\u00b7\u5fb7\u65af\u8482\u5c14\u65af\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u4e8c\u5341\u5c81\u7684\u7ea6\u963f\u5185\u65af\u00b7\u5fb7\u65af\u8482\u5c14\u65af\u8096\u50cf\u300b<\/h2>\n

Portrait of Joannes de Stuers at 20 years old<\/p>

\n 1897<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4f18\u96c5\u5973\u5b50\u8096\u50cf\"\n <\/figure>\n
\n

\u300a\u4f18\u96c5\u5973\u5b50\u8096\u50cf\u300b<\/h2>\n

Portrait d\u2019une \u00e9l\u00e9gante<\/p>

\n 1898<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n <\/div>\n\n