{"id":29246,"date":"2026-08-14T21:38:28","date_gmt":"2026-08-14T13:38:28","guid":{"rendered":"https:\/\/www.luminart.cc\/?page_id=29246"},"modified":"2026-08-15T00:11:16","modified_gmt":"2026-08-14T16:11:16","slug":"%e5%bc%97%e9%9b%b7%e5%be%b7%e9%87%8c%e5%85%8b%c2%b7%e9%9b%b7%e9%a1%bf%e5%bd%92%e6%a1%a3%e9%a1%b5","status":"publish","type":"page","link":"https:\/\/www.luminart.cc\/?page_id=29246","title":{"rendered":"\u5f17\u96f7\u5fb7\u91cc\u514b\u00b7\u96f7\u987f\u5f52\u6863\u9875"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n
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\n \"\u5f17\u96f7\u5fb7\u91cc\u514b\u00b7\u83b1\u987f\u8096\u50cf\"\n <\/figure>\n
\n

\u5f17\u96f7\u5fb7\u91cc\u514b\u00b7\u83b1\u987f<\/h1>\n
\n Frederic Leighton<\/span> \u82f1\u56fd\uff0c1830-1896<\/span> 148<\/strong> \u4ef6\u4f5c\u54c1<\/span>\n <\/div>\n

\u5f17\u96f7\u5fb7\u91cc\u514b\u00b7\u83b1\u987f\u662f\u7ef4\u591a\u5229\u4e9a\u65f6\u4ee3\u82f1\u56fd\u5b66\u9662\u827a\u672f\u7684\u91cd\u8981\u4ee3\u8868\uff0c\u5e76\u4e8e1878\u5e74\u81f31896\u5e74\u62c5\u4efb\u7687\u5bb6\u7f8e\u672f\u5b66\u9662\u9662\u957f\u3002\u4ed6\u4ee5\u53e4\u5178\u795e\u8bdd\u3001\u5386\u53f2\u548c\u7406\u60f3\u5316\u4eba\u7269\u89c1\u957f\uff0c\u91cd\u89c6\u4eba\u4f53\u9020\u578b\u3001\u8863\u8936\u3001\u8272\u5f69\u548c\u4e25\u5bc6\u6784\u56fe\uff0c\u4e5f\u662f\u4e00\u4f4d\u5177\u6709\u5f71\u54cd\u529b\u7684\u96d5\u5851\u5bb6\u3002<\/p> <\/div>\n <\/div>\n <\/header>\n\n \n \n

\n
\n \n
\n \"\u4eba\u7269\u8349\u56fe\"\n <\/figure>\n
\n

\u300a\u4eba\u7269\u8349\u56fe\u300b<\/h2>\n

Sketches of Figures<\/p>

\n 1840\u201360<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u7a7f\u7740\n <\/figure>\n
\n

\u300a\u7a7f\u7740 16 \u4e16\u7eaa\u670d\u9970\u7684\u5a74\u513f\u4e0e\u516c\u9e21\u548c\u72d7\u300b<\/h2>\n

A Baby in 16th century Dress with a Rooster and a Dog<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u57cb\u846c\u573a\u666f\"\n <\/figure>\n
\n

\u300a\u57cb\u846c\u573a\u666f\u300b<\/h2>\n

A Burial Scene<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e34\u7ec8\u573a\u666f\"\n <\/figure>\n
\n

\u300a\u4e34\u7ec8\u573a\u666f\u300b<\/h2>\n

A Deathbed Scene<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e00\u7fa4\u513f\u7ae5\"\n <\/figure>\n
\n

\u300a\u4e00\u7fa4\u513f\u7ae5\u300b<\/h2>\n

A Group of Children<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e00\u4e2a\u4eba\u548c\u4e00\u53ea\u7334\u5b50\u9a91\u5728\u9a6c\u80cc\u4e0a\"\n <\/figure>\n
\n

\u300a\u4e00\u4e2a\u4eba\u548c\u4e00\u53ea\u7334\u5b50\u9a91\u5728\u9a6c\u80cc\u4e0a\u300b<\/h2>\n

A Man and a Monkey Riding on Horseback<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e00\u4f4d\u827a\u672f\u5bb6\u5728\u4eba\u7fa4\u6ce8\u89c6\u4e0b\u7684\u6559\u5802\u5899\u4e0a\u4f5c\u753b\"\n <\/figure>\n
\n

\u300a\u4e00\u4f4d\u827a\u672f\u5bb6\u5728\u4eba\u7fa4\u6ce8\u89c6\u4e0b\u7684\u6559\u5802\u5899\u4e0a\u4f5c\u753b\u300b<\/h2>\n

An Artist Drawing on Wall of a Church Watched by a Crowd<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5706\u5f62\u56fe\"\n <\/figure>\n
\n

\u300a\u5706\u5f62\u56fe\u300b<\/h2>\n

Circular Diagram<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e18\u6bd4\u7279\u548c\u7267\u7f8a\u4eba\"\n <\/figure>\n
\n

\u300a\u4e18\u6bd4\u7279\u548c\u7267\u7f8a\u4eba\u300b<\/h2>\n

Cupid and a Shepherd<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u56db\u4e2a\u594f\u4e50\u7684\u5c0f\u5929\u4f7f\"\n <\/figure>\n
\n

\u300a\u56db\u4e2a\u594f\u4e50\u7684\u5c0f\u5929\u4f7f\u300b<\/h2>\n

Four Musical Putti<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u7537\u6027\u8eab\u6750\u7814\u7a76\"\n <\/figure>\n
\n

\u300a\u7537\u6027\u8eab\u6750\u7814\u7a76\u300b<\/h2>\n

Male Figure Study<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u827a\u672f\u5bb6\u5de5\u4f5c\u5ba4\u573a\u666f\"\n <\/figure>\n
\n

\u300a\u827a\u672f\u5bb6\u5de5\u4f5c\u5ba4\u573a\u666f\u300b<\/h2>\n

Scene in an Artist's Studio<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u610f\u5927\u5229\u57ce\u5e02\u55b7\u6cc9\u9644\u8fd1\u7684\u4eba\u7269\u573a\u666f\"\n <\/figure>\n
\n

\u300a\u610f\u5927\u5229\u57ce\u5e02\u55b7\u6cc9\u9644\u8fd1\u7684\u4eba\u7269\u573a\u666f\u300b<\/h2>\n

Scene in an Italian City with Figures Near a Fountain<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u6f14\u8bb2\u8005\u5411\u591c\u95f4\u805a\u96c6\u5728\u55b7\u6cc9\u5468\u56f4\u7684\u7537\u6027\u4eba\u7269\u53d1\u8868\u8bb2\u8bdd\"\n <\/figure>\n
\n

\u300a\u6f14\u8bb2\u8005\u5411\u591c\u95f4\u805a\u96c6\u5728\u55b7\u6cc9\u5468\u56f4\u7684\u7537\u6027\u4eba\u7269\u53d1\u8868\u8bb2\u8bdd\u300b<\/h2>\n

Speaker Addressing Male Figures Gathered at Night Around a Fountain<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e09\u4e2a\u5b69\u5b50\"\n <\/figure>\n
\n

\u300a\u4e09\u4e2a\u5b69\u5b50\u300b<\/h2>\n

Three Children<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u4e24\u4e2a\u5b69\u5b50\"\n <\/figure>\n
\n

\u300a\u4e24\u4e2a\u5b69\u5b50\u300b<\/h2>\n

Two Children<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u7ef4\u7eb3\u65af\u548c\u4e18\u6bd4\u7279\"\n <\/figure>\n
\n

\u300a\u7ef4\u7eb3\u65af\u548c\u4e18\u6bd4\u7279\u300b<\/h2>\n

Venus and Cupid<\/p>

\n \u7ea61849<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5a01\u5ec9\u00b7\u6885\u514b\u76ae\u65af\u00b7\u8428\u514b\u96f7\"\n <\/figure>\n
\n

\u300a\u5a01\u5ec9\u00b7\u6885\u514b\u76ae\u65af\u00b7\u8428\u514b\u96f7\u300b<\/h2>\n

William Makepeace Thackeray<\/p>

\n \u7ea61850<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5362\u5361\u00b7\u897f\u8bfa\u96f7\u5229\n <\/figure>\n
\n

\u300a\u5362\u5361\u00b7\u897f\u8bfa\u96f7\u5229 (Luca Signorelli) \u4e3a\u4ed6\u6b7b\u53bb\u7684\u513f\u5b50\u753b\u753b\u300b<\/h2>\n

Luca Signorelli Painting his Dead Son<\/p>

\n 1851<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u827a\u672f\u5411\u6625\u5929\u81f4\u656c\"\n <\/figure>\n
\n

\u300a\u827a\u672f\u5411\u6625\u5929\u81f4\u656c\u300b<\/h2>\n

The Arts Pay Homage to Spring<\/p>

\n \u7ea61852<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5951\u9a6c\u5e03\u57c3\u7684\u5723\u6bcd\u739b\u5229\u4e9a\u6e38\u884c\"\n <\/figure>\n
\n

\u300a\u5951\u9a6c\u5e03\u57c3\u7684\u5723\u6bcd\u739b\u5229\u4e9a\u6e38\u884c\u300b<\/h2>\n

Cimabue's Madonna Carried in Procession<\/p>

\n 1853\u201355<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u8499\u592a\u53e4\u4e0e\u51ef\u666e\u83b1\u7279\u5bb6\u65cf\u548c\u89e3\u4e2d\u7f57\u5bc6\u6b27\u5934\u50cf\u7684\u7ef4\u7434\u4f50\u7814\u7a76\"\n <\/figure>\n
\n

\u300a\u8499\u592a\u53e4\u4e0e\u51ef\u666e\u83b1\u7279\u5bb6\u65cf\u548c\u89e3\u4e2d\u7f57\u5bc6\u6b27\u5934\u50cf\u7684\u7ef4\u7434\u4f50\u7814\u7a76\u300b<\/h2>\n

Study of Vicenzo for the Head of Romeo in Reconciliation of the Montagues and the Capulets<\/p>

\n 1854<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u8499\u592a\u53e4\u5bb6\u65cf\u4e0e\u51ef\u666e\u83b1\u7279\u5bb6\u65cf\u7684\u548c\u89e3\"\n <\/figure>\n
\n

\u300a\u8499\u592a\u53e4\u5bb6\u65cf\u4e0e\u51ef\u666e\u83b1\u7279\u5bb6\u65cf\u7684\u548c\u89e3\u300b<\/h2>\n

The Reconciliation of the Montagues and the Capulets<\/p>

\n 1854<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u8499\u592a\u53e4\u5bb6\u65cf\u4e0e\u51ef\u666e\u83b1\u7279\u5bb6\u65cf\u7684\u548c\u89e3\"\n <\/figure>\n
\n

\u300a\u8499\u592a\u53e4\u5bb6\u65cf\u4e0e\u51ef\u666e\u83b1\u7279\u5bb6\u65cf\u7684\u548c\u89e3\u300b<\/h2>\n

The Reconciliation of the Montagues and the Capulets<\/p>

\n 1854<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5750\u5728\u6905\u5b50\u4e0a\u7684\u7537\u4eba\"\n <\/figure>\n
\n

\u300a\u5750\u5728\u6905\u5b50\u4e0a\u7684\u7537\u4eba\u300b<\/h2>\n

Man Seated on a Chair<\/p>

\n \u7ea61855<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5a01\u5ec9\u00b7\u6885\u514b\u76ae\u65af\u00b7\u8428\u514b\u96f7\u8096\u50cf\u7684\u521d\u6b65\u7814\u7a76\"\n <\/figure>\n
\n

\u300a\u5a01\u5ec9\u00b7\u6885\u514b\u76ae\u65af\u00b7\u8428\u514b\u96f7\u8096\u50cf\u7684\u521d\u6b65\u7814\u7a76\u300b<\/h2>\n

Preliminary Studies for Portrait of William Makepeace Thackeray<\/p>

\n \u7ea61855<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u8499\u5854\u53e4\u5bb6\u65cf\u4e0e\u51ef\u666e\u83b1\u7279\u5bb6\u65cf\u5728\u7f57\u5bc6\u6b27\u4e0e\u6731\u4e3d\u53f6\u5c38\u4f53\u9762\u524d\u7684\u548c\u89e3\"\n <\/figure>\n
\n

\u300a\u8499\u5854\u53e4\u5bb6\u65cf\u4e0e\u51ef\u666e\u83b1\u7279\u5bb6\u65cf\u5728\u7f57\u5bc6\u6b27\u4e0e\u6731\u4e3d\u53f6\u5c38\u4f53\u9762\u524d\u7684\u548c\u89e3\u300b<\/h2>\n

The reconciliation of the Montague and Capulet families in the face of the corpses of Romeo and Juliet<\/p>

\n \u7ea6 1855<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u6e14\u592b\u4e0e\u585e\u58ec\"\n <\/figure>\n
\n

\u300a\u6e14\u592b\u4e0e\u585e\u58ec\u300b<\/h2>\n

The Fisherman And The Syren<\/p>

\n 1856\u20131858<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u96c5\u5404\u548c\u4ee5\u626b\"\n <\/figure>\n
\n

\u300a\u96c5\u5404\u548c\u4ee5\u626b\u300b<\/h2>\n

Jacob and Esau<\/p>

\n 1857<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n
\n \n
\n \"\u5361\u666e\u91cc\u5c9b\u65c5\u5e97\u7684\u82b1\u56ed\"\n <\/figure>\n
\n

\u300a\u5361\u666e\u91cc\u5c9b\u65c5\u5e97\u7684\u82b1\u56ed\u300b<\/h2>\n

Garden of an Inn, Capri<\/p>

\n 1859<\/span> <\/div>\n <\/div>\n <\/a>\n <\/article>\n <\/div>\n\n