《吉原京町二丁目桐菱屋花魁万代》
The Courtesan Manyō of the Kirihishi House
鸟居清长是江户时代天明时期最重要的浮世绘画家之一,也是鸟居派的重要代表。他以修长优雅的女性群像、开阔的都市与庭院空间以及细致的季节风俗著称,使大判锦绘中的美人画获得更舒展、自然的叙事尺度。
The Courtesan Manyō of the Kirihishi House
Bathhouse Women
Enjoying a Cool Evening on a Boat beneath Azuma Bridge
Two Women and a Young Man at a Pier
Woman Troubled by the Wind
Women in a Bathhouse
Children Quarrelling during a Game of Go
Noh Chant
Two Women beneath Plum Blossoms
Ohan and Chōemon
Ryukyuan Dancing Girl
The Courtesan Hinazuru of Chōjiya
Two Beauties beneath Cherry Blossoms
Young Man and Woman Playing Battledore
Courtesan and Apprentice; Woman Wearing a Sedge Hat
Himegimi Out for a Walk
Hitomachi of the Tsutaya House in Edochō Nichōme
Lady Kesa
Plant Seller with Potted Fukujusō
The Courtesan Chōzan of Chōjiya
Viewing a Snow-Covered Garden
Matsuzumi of the Daimonjiya
Salt Maidens
Three Beauties beneath Wisteria
Tomimoto Recitation
Viewing Snow at Mount Matsuchi
Cherry-Blossom Viewing II
Cherry-Blossom Viewing Month
Cooling off near the Riverbank I
Cooling off near the Riverbank II