《自画像》
Self-portrait
古斯塔夫·范·德·沃斯泰恩是比利时画家,活跃于拉特马艺术圈。他把乡村人物、家庭肖像和基督教题材处理为安静而具有精神压力的图像,早期吸收象征主义与早期尼德兰绘画,战后又以更坚硬、几何化的结构推进个人语言。
Self-portrait
Danish
How Brown expresses his complaint about Reynard and what is decided next
How Brown went out with Reynard where he thought he was eating honey and how he was caught by head and feet and suffered further misfortune
How Brown is sent with the message to Reynard and how he addresses him
How Reinaert devises a new trick to get free and exterminate his enemies
How Reynard asks the king for a respite and makes his general confession in front of all the people
How Reynard gives two letters to Belijn and how the ram gets them to the court
How Reynard prepares for a great pilgrimage and is read by Belijn, and how he bids farewell to the court
How Reynard reconsiders and then receives Brown kindly and tells him about the honey
How Reynard tells the discovery of the hidden treasure and how he foiled the conspiracy
How the travelling bag is opened and the deception is revealed and the king’s great grief
Head of Christ with a Crown of Thorns
Farmer on his Sunday (Paysan endimanché)
Two Springs
The blind man
Farmer or Evening
Portrait of Prudence De Schepper, the Artist’s Wife
Portrait of the Writer Karel van de Woestijne
Christophorus – still searching
Peasant (The Answer)
Portrait of Hippolyte Fierens-Gevaert (1870-1926)
Study with a Riverview and Sailing Boat, Trees, Haystacks and a Mill
Angela
Country Girl
Portrait of Hugo Verriest
The Grandmother or Portrait of Roos Van Wijnendaele
Poster for the Art Circle Pour l’Art
Portrait of Albert I, King of the Belgians (1875-1934)
The Sleepers
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