《两位女子》
Two Women
歌川国芳
Utagawa Kuniyoshi 日本，1797-1861 481 件作品
歌川国芳是日本浮世绘木版画与绘画传统中最后一批重要大师之一，属于歌川派。国芳的题材范围很广，包括风景、美人、歌舞伎演员、猫、神话动物和传奇武士战斗场景。他的作品也吸收了西方风景表现和讽刺漫画的视觉方法，形成鲜明、戏剧化且容易辨认的个人风格。
《足柄山的山姥》
Yamauba at Mount Ashigara
《高祖御一代略图：佐州流刑角田波题目》
Concise Illustrated Biography of Monk Nichiren: Calming the Stormy Sea at Tsunoda in Exile to Sado Island
《高祖御一代略图：祈雨》
Life of Nichiren: Praying for Rain
《高祖御一代略图：佐州冢原雪中》
Concise Illustrated Biography of Monk Nichiren: In the Snow at Tsukahara, Sado Island
《歌川国芳自画像（与猫）》
Self-portrait of Utagawa Kuniyoshi with Cats
《义经一代记：五条桥之图》
Biography of Yoshitsune: Gojō Bridge
《加贺千代女立于井旁》
Kaga no Chiyo standing beside a well
《梶原源太景季之妻》
The Wife of Kajiwara Genta Kagesue
《源赖光馆土蜘蛛作妖怪图》
The Earth Spider Generates Monsters at the Mansion of Lord Minamoto Yorimitsu
《源赖光馆土蜘蛛作妖怪图》
The Earth Spider Generates Monsters at the Mansion of Lord Minamoto Yorimitsu
《牛若丸与天狗袭击五条桥上的弁庆》
Ushiwaka (Minamoto no Yoshitsune) and Goblins Attack Benkei on Gojō Bridge
《细川家臣嶋村弹正高则骑蟹破浪图》
The Hosokawa Retainer Shimamura Danjo Takanori
《持面刷的美人》
A beauty with a face brush
《相马之古内里》
Mitsukuni Defying the Skeleton Spectre Invoked by Princess Takiyasha
《相马之古内里》
Mitsukuni Defying the Skeleton Spectre Invoked by Princess Takiyasha
《弁庆豪力：戏拖三井寺钟上比叡山》
Benkei's Heroic Strength: Playfully Dragging the Bell of Mii Temple up Mt. Hiei
《东海道五十三对：冈崎》
Okazaki, from the series Fifty-three Parallels for the Tōkaidō Road
《巨蛙越过仆从图》
A samurai looks on as a giant frog runs over the menials
《五位男伊达役者之1》
Actors as the Five Manly Men
《五位男伊达役者之2》
Actors as the Five Manly Men
《五位男伊达役者之3》
Actors as the Five Manly Men
《五位男伊达役者之4》
Actors as the Five Manly Men
《看似可怕实则善良之人》
At First Glance He Looks Fierce, But He Is Actually a Kind Person
《市川九藏二世饰安野平兵卫》
Ichikawa Kuzo II as Yasuno Heibei
《名誉右无敌左甚五郎》
The Famous, the Unrivalled Hidari Jingoro
《宫本武藏与巨鲸》
Miyamoto Musashi and the Giant Whale
《宫本武藏与巨鲸》
Miyamoto Musashi and the Giant Whale
《名誉右无敌左甚五郎（局部）》
The Famous, the Unrivalled Hidari Jingoro (Detail)
《化为女仆的老鼠》
The Mouse Turned into a Maid