《两国桥下张网渔船》
Fishing Boats with Nets under Ryōgoku Bridge
喜多川歌麿是江户时代浮世绘美人画的重要代表,尤其以女性半身像、城市风俗和细腻的人物心理刻画著称。他常通过发式、衣纹、姿态和日常动作组织画面,使人物形象带有安静而明确的身份感。歌麿的作品推动了美人画在构图和情绪表达上的成熟,也成为后世理解江户都市审美的重要图像资料。
Fishing Boats with Nets under Ryōgoku Bridge
Girls Playing a Game with Shells
“Hanamurasaki of the Tamaya,” from the series Seven Komachi of the Pleasure Quarters (Seirō Nana Komachi)
Kiyomizu Komachi, from the series Futabagusa nana Komachi
Kiyomizu Komachi, from the series Futabagusa nana Komachi
Myriad Birds: A Playful Poetry Contest
Naniwa Okita Admiring Herself in a Mirror
Scene in the Yoshiwara
Shadows on the Shoji
The Artist Kitao Masanobu Relaxing at a Party
The Artist Kitao Masanobu Relaxing at a Party
“The Courtesan Hanazuma Reading a Letter,” from the series Beauties Compared to Flowers (Bijin hana awase)
Three Intoxicated Courtesans
Tomimoto Toyohina Reading a Letter
Two Ladies, Each with a Portion of a Lacquered Mirror
Two Women
Viewing Cherry Blossoms
Woman Relaxing after Her Bath
Woman Relaxing after Her Bath
Woman Relaxing after Her Bath
Woman Relaxing after Her Bath
Woman Relaxing after Her Bath
Girl Fishers and Bathers
Girl Fishers and Bathers
Three Beauties of the Kwansei Period
“Woman Holding Up a Parasol” from the series Ten Classes of Women’s Physiognomy (Fujo ninsō juppen: Higasa o sasu onna)
A Woman and a Cat
A Woman and a Cat
The Courtesan Hanaōgi of the Ōgiya Brothel in Yoshiwara (Ōgiya uchi Hanaōgi, Yoshino, Tatsuta)
The Courtesan Konosumi, from the series Beauties of the Southern Quarter (Nangoku bijin awase)
显示最近 20 条更新
可以搜索艺术家姓名、画作标题、流派或博物馆。
