《大磯》
Ōiso
葛饰北斋是江户时代浮世绘的重要代表,以风景版画、花鸟画、人物画和绘本创作著称。他不断探索自然景观、日常生活与动态构图,其《富岳三十六景》系列对日本及欧洲近代艺术产生了深远影响。
Ōiso
Okabe; Shimada
Ōtomo no kuronushi
Shimada
Shimada
Shirasuka
Yokkaichi
Yoshiwara
Yoshiwara suzume
Yui
Arivaro no Narihira in Journey to the East. A woman dressed as Narivara stops to admire Mount Fuji 1805-1810
Calligraphy 约 1805
Nariwaro no Narihira in Journey to the East. A woman in the image of Narivara stops to admire Mount Fuji 1805-1810 sheet 1
Nariwaro no Narihira in Journey to the East. A woman in the image of Narivara stops to admire Mount Fuji 1805-1810 sheet 2
Transformed Gyōja Bushō Amagawaya Gihei between 1801 and 1805
Act III from the Play Kanadehon Chūshingura, ‘A Kana Primer for the Treasury of Loyal Retainers’
Act VII
Act I (Shodan), Moronao offers love poems to Kaoyo at Hachiman Shrine in Kamakura 2
Act VIII (Hachidanme). Tonase and Konami on their way to Kyoto
Assault on the Moronao estate (Variant 1)
Assault on the Moronao estate (Variant 2)
House of Oboshi Yuranosuke, Rikiya + Ishi thrusting at Kakogawa Honzo, restrained by Konami 1
Kakogawa Honzo at his house, lopping pine-branch, with Momoi Wakasanosuke, and Konami, Oboshi Rikiya
Kaoyo makes an ekibana from cherry blossoms (Variant 1)
Kaoyo makes an ekibana from cherry blossoms (Variant 2)
Night scene on the veranda + ronin cutting off his wife's hair
Rainfall on Yanagi Bridge 1806
The villain Sadakuro attacks the peasant Yoichibei
Yochibei House with Kampei Committing Suicide
Mitsuke
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