《法律的寓言与表象的真理》
Allegory of the Law and Truth of Representation
汉斯·马卡特是十九世纪奥地利历史主义的代表画家、装饰艺术家与维也纳美术学院教授。他以宏大的历史、寓言和神话场景闻名,偏爱华丽色彩、丰富织物与舞台化构图;其视觉语言深刻塑造了1870至1880年代维也纳的“马卡特时代”。
Allegory of the Law and Truth of Representation
Allegory of painting
First international art exhibition in the Künstlerhaus
Nymph with two children
Decoration design for Empress Elisabeth's bedroom in the Hermesvilla (middle scene; A Midsummer Night's Dream)
The victory of light over darkness
Design for a Palace; facade
Design for a Palace; Back and floor plan
Gothic grave church of St. Michael, side view
Gothic grave church of St. Michael, tower facade
Hanna Klinkosch
Flower bouquet
Portrait Of A Lady With A Fan
The Dream after the Ball
Portrait Of Maria, Countess Von Dönhoff
Valkyrie and a Dying Hero
Banquet In A Park
The love letter
Prince Gottfried Zu Hohenlohe-Schillingsfürst
Leda And The Swan
Portrait of Countess Marie von Coudenhove-Kalergi
A Portrait Of A Seated Lady, Possibly Countess Bianca Teschenberg
Resting Bacchante
Sinking of the Nibelungen Stronghold into the Rhine
Portrait Of A Lady
Snow White Receives The Poisoned Comb
Snow White Sleeping
Modern Amoretti
Modern Amoretti
Modern Amoretti
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可以搜索艺术家姓名、画作标题、流派或博物馆。
可以搜索艺术家姓名、画作标题、流派或博物馆。
可以搜索艺术家姓名、画作标题、流派或博物馆。
