《十字架附近的妇女和儿童》
Women and children near a cross
弗朗西斯科·戈雅是西班牙画家与版画家,曾任宫廷画师。他的创作横跨王室肖像、宗教画、风俗题材、素描与版画,并以《狂想曲》《战争的灾难》和晚年的“黑色绘画”深入观察权力、暴力、迷信与人的非理性经验。
Women and children near a cross
Pygmalion and Galatea
The Eagle Hunter
A Woman and a Horse, Let Someone Else Master Them [The Horse-Abductor]
After Vice Comes Fornication [Simpleton]
Do Not Lose Honor through Fear [Folly of Fear]
God Creates Them and They Join up Together
He Who Does Not Like Thee Will Defame Thee in Jest [Loyalty]
Heavier Than a Dead Donkey
If Marion Will Dance, then She Will Have to Take the Consequences (Si Marina Bayló, Tome lo Que Halló)
It Is Amazing-And We Were Made by God [Furious Folly] (Hizonos Dios y Maravillamos Nos [Disparate Furioso])
Rejoice, Carnival, for Tomorrow Thou Wilt Be Ashes [Carnival Folly]
Renounce the Friend Who Covers You with His Beak [Flying Folly]
She Who Is Ill Wed Never Misses a Chance to Say So [Disorderly Folly]
The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General])
There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados])
To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo])
Two Heads Are Better Than One [Poor Folly] (Disparate Pobre)
Where There’s a Will There’s a Way [A Way of Flying]
Without Commending Himself either to God or the Devil [Clear Folly] (Sin Recomendarse a Dios ni al Diablo [Disparate Claro])
Wounds Heal Quicker than Hasty Words (Sanas Cuchilladas Mas No Malas Palabras)
The Third of May 1808 in Madrid
The Charge of the Mamelukes
Manuel Quijano
3 Bll. aus 'The Proverbs'
The Forge
Portrait of Don Juan Bautista de Goicoechea y Urrutia
Portrait of Don Miguel De Lardizábal
Where There’s a Will There’s a Way (A way of Flying)
The unfortunate death of Pepe Illo in the plaza of Madrid
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