《舞者调整她的拖鞋》
Dancer Adjusting Her Slipper
埃德加·德加是法国印象主义的重要成员,以舞者、赛马、浴者、肖像和巴黎现代生活为核心题材。他把古典素描训练与摄影式裁切、不对称构图和高低视点结合起来,持续研究动作、空间和人物之间的心理距离。油画之外,德加尤其拓展了粉彩的表现力,并通过反复描绘排练、候场、梳洗和工作中的人物,呈现现代生活中未经修饰的瞬间。
Dancer Adjusting Her Slipper
Dancers in an exercise room (Three Dancers)
In A Café
Seated Dancer
Study of a Ballet Dancer
The Artist's Cousin, Probably Mrs. William Bell (Mathilde Musson, 1841–1878)
Two Dancers
Two Studies of Dancers
Two Studies of Dancers
Woman Ironing
The Dance Class
Dancer in Her Dressing Room
The Dance Class
The Rehearsal of the Ballet on Stage
The Rehearsal of the Ballet Onstage
Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin)
Jerome Ottoz
Madame de Rutté
Mrs Jeantaud In The Mirror
Portrait of Alphonse Hirsch
Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi
Study of a Ballet Dancer seen from the Back
Young Woman with Her Hand over Her Mouth
Café-Concert
Dancers Backstage
On Stage I
On Stage III
On the Stage
Singer at the Café-Concert
The Bidet
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