《骑师》
The Jockey
埃德加·德加是法国印象主义的重要成员,以舞者、赛马、浴者、肖像和巴黎现代生活为核心题材。他把古典素描训练与摄影式裁切、不对称构图和高低视点结合起来,持续研究动作、空间和人物之间的心理距离。油画之外,德加尤其拓展了粉彩的表现力,并通过反复描绘排练、候场、梳洗和工作中的人物,呈现现代生活中未经修饰的瞬间。
The Jockey
The Riders
Two Harlequins
Woman Bathing in a Shallow Tub
Woman Drying Her Foot
Woman drying her hair
Woman holding a hat
Young Woman Dressing Herself
Dancers (Behind the scenes of the Opera)
Harlequin And Colombine
Le Bain (Woman in her bathtub)
Naked woman, from behind, combing her hair (woman combing her hair)
Study of Horses
Woman coming out of the bath
Woman Having Her Hair Combed
Before the Race
Bust of woman with feathered hat
Clothes on a chair
Dancer adjusting her slipper
Dancer Adjusting Her Slipper
Dancer tying her slipper
The Morning Bath
Woman in blue bathrobe with her torso uncovered
Horse and Rider
Dancer putting on her slipper
Naked woman lying down
Nude Study
Study of the nude
The Jockey
Toilette after the Bath
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